Hohner Blues Harp BB-major

The One and Only Blues Harp
The name evokes the typical blues sound. It is a metaphor for whiskey bars, 
juke joints, and good times; synonymous with wide plains, open fields, 
and pilgrimage: The Blues Harp®. For over 50 years, the harmonica has shaped
the sound of blues, rock, and sometimes even folk. 
The Blues Harp® is designed for this specific blues sound, but thanks 
to the modular system it can easily be adjusted and changed to anything 
you want it to be – easy, quickly, at any time. 
Whether you’re a beginner or advanced, the Blues Harp® is the harp 
for you.

Modular construction
The comb, reed and cover plates are interchangeable with all other MS series 
for many possible combinations that suit your playing style


TECHNICAL DETAILS
Reed plates (material, thickness): 	brass, 0.9 mm
Reed plates (surface): 			brass
Reeds (number, material): 		20, brass
Comb (material, color): 		doussie, brown
Comb (finish): 				double lacquered
Mouthpiece (surface): 			doussie
Cover plates: 				stainless steel
Keys: 					F#, F, E, Eb, D, Db, C, B(H), Bb, A, Ab, G
Type: 					diatonic
Tuning: 				Richter
Number of holes: 			10
Tonal range *: 				3 octaves
Length: 				10.5 cm / 4.1" 
               
               

Hohner Blues Harp B-major

The One and Only Blues Harp
The name evokes the typical blues sound. It is a metaphor for whiskey bars, 
juke joints, and good times; synonymous with wide plains, open fields, 
and pilgrimage: The Blues Harp®. For over 50 years, the harmonica has shaped
the sound of blues, rock, and sometimes even folk. 
The Blues Harp® is designed for this specific blues sound, but thanks 
to the modular system it can easily be adjusted and changed to anything 
you want it to be – easy, quickly, at any time. 
Whether you’re a beginner or advanced, the Blues Harp® is the harp 
for you.

Modular construction
The comb, reed and cover plates are interchangeable with all other MS series 
for many possible combinations that suit your playing style


TECHNICAL DETAILS
Reed plates (material, thickness): 	brass, 0.9 mm
Reed plates (surface): 			brass
Reeds (number, material): 		20, brass
Comb (material, color): 		doussie, brown
Comb (finish): 				double lacquered
Mouthpiece (surface): 			doussie
Cover plates: 				stainless steel
Keys: 					F#, F, E, Eb, D, Db, C, B(H), Bb, A, Ab, G
Type: 					diatonic
Tuning: 				Richter
Number of holes: 			10
Tonal range *: 				3 octaves
Length: 				10.5 cm / 4.1" 
               
               

HOHNER Chromonica 270/48 A

THE LEGEND LIVES ON
Whether it’s a melody from a long forgotten movie or a tune from childhood that you keep 
hearing in your head, we all have certain songs that are imbedded in our memory and take us 
back in time. With the Super Chromonica, we can recapture those moments. Almost unchanged 
since its inception, it’s still the original chromatic harmonica and the instrument of choice 
for generations of players who have left their mark in folk, pop and jazz.

Traditional cover plates
Tradition cover design and embossing

Wood comb
Double lacquered pearwood comb for rich sound and reduced swelling behavior

Comb design
The optimized comb design ensures superior response in the upper register

Reed plates (material, thickness)	brass, 1.05 mm
Reed plates (surface)			brass
Reeds (number, material)		48, brass
Comb (material, color)			pearwood, brown
Comb (finish)				double lacquered
Mouthpiece (surface)			brass, nickel-plated
Cover plates				stainless steel
Slide construction			straight
Keys					F, E, Eb, D, C, B, Bb, A, G, LC
Type					chromatic
Tuning					solo tuning
Number of holes			12
Tonal range				3 octaves
Length					15.5 cm / 6.1"

THE SHORT BASS
In almost all music, the bass is the bottom line, the anchor that holds the whole thing 
together. This is just as true for harmonica ensembles as any other line-up. It’s not a 
simple matter to build a reed instrument that can respond with the speed and volume which 
group performance demands, especially in the low register down to E2, but our professional 
Bass harmonicas are made to do just that. They feature a hinged two part construction and 
each channel contains two reeds, tuned one octave apart, giving a remarkably rich and powerful 
sound. Here too, the lower reed of each pair is located on the inner rows to ensure balanced 
microphoning and accentuate the bass. As with the Chord 48, our Bass harmonicas have now been 
redesigned to optimize volume, handling and maintenance. The mouthpiece is integrated into the 
new acrylic comb construction for unparalleled airtightness and the full screw together assembly 
ensures ease of maintenance. The Bass 58 is the smaller of our two bass models, with a range of 
E2 - E4, and is ideal for all types of harmonica ensemble.

Balanced microphoning
The lower of each pair of octave tuned reeds is located on the inner rows to enable balanced
microphoning and accentuate the bass

New comb design
Transparent, resilient acrylic comb looks great and ensures reliable performance under 
all climate conditions

Integrated mouthpiece
Mouthpiece is integrated into comb construction for unparalleled airtightness and response

Completely assembled with screws
Completely assembled with screws for easy maintenance

Reed plates (material, thickness): brass, 2.0 mm
Reed plates (surface):	brass
Reeds (number, material): 58, brass
Comb (material, color):	acrylic, transparent
Comb (finish):	acrylic
Mouthpiece (surface): acrylic
Cover plates: stainless steel
Type: orchestra
Tuning:	chromatic
Number of holes: 29
Tonal range: 2 octaves, E2 - E4
Length:	21.3 cm / .4"

Gitar i1/1 størrelse
Oppdatert DLX  gitar med Sykamoretre i sarg og bunn.
Gripebrett: Rosentre
Farge: Natur