Sammenlign produkter

100504
18963
19062
471013
600500
Produktnr.
100504
18963
19062
471013
600500
Beskrivelse
Tube Man MKII
NUX Tube Man MKII byr på en klassisk "grønn" overdrive-lyd fra den legendariske pedalen
med samme farge. Hvis man ikke spiller på en ekte rørforsterker, som er makset ut
for å drive rørene hardest mulig, kan det være vanskelig å få lyden av genuin overdrive.
Det løste vi ved å trykke inn litt ekstra gain!

Den originale "grønne" pedalen ble bygget rundt et "op-amp" (operasjonsforsterker)-system,
som var en veldig enkel krets, uten forvrengning. Dermed måtte signalet omformes til
vreng oppstod ("diode clipping"). Litt clipping gir overdrive - mye clipping gir distortion.

Men - i Tube Man MKII bruker vi et FET-transistorsystem. Dette er ideelt fordi slike
transistorer kan frembringe ønsket overdrive og distortion uten å måtte drives hardt. En
overdrive-pedal fremhever overtoner, øker sustain, og gir deg mer trøkk og "plass" i
miksen. Disse små grønne boksene sørger for lyden av en analog rørforsterker - uten at du
må skru alt opp til 11.

Funksjoner:

- Varm, fyldig lyd av rør i "overdrive"
- Brukes for seg selv eller som boost før forsterker i signalkjeden
- True bypass

Tekniske spesifikasjoner:

- Inngangsimpedans: 510kohm
- Utgangsimpedans: 100ohm
- Strøm: 9VDC
- Strømforbruk: > 100mA
- Dimensjoner (mm): 51 (bredde) x 94 (dybde) x 53 (høyde)
- Nettovekt: 174g
Chromed steel slide set
Medium str

Lengde: 32mm/57
Diam: 22.5mm
MIDI cable, DIN/DIN (m/m), 2 m, metal connectors
Type: MIDI cable
Connectors: DIN male / DIN male
Connector material: Metal
Legal aspect: Compliant with the RoHS directive
Colour: Black- Length: 2 metre 


Thanks to its original design, incorporating width-adjustable tiers that expand from
28 to 88 cm to conform to the exact size of your equipment, the M/61 is an extremely 
versatile stand, suitable for multiple applications.
Heavy duty construction, the sturdy frame is built to hold the heaviest and largest of 
keyboards and digital pianos safely and securely, but is also ideal for medium size live 
mixers, DJ coffins, recording and audio equipment up to 64 cm deep.
10 height adjustment positions, from 70 to 97, are easily achievable 
by means of Quik Lok’s spring-loaded security pin device, making it extremely comfortable 
for playing while sitting or standing.
Grants maximum leg room for comfortable playing, providing a large open area for placement 
of floor pedals.
Solid rubber rest pads hold your equipment firmly in place.
Simple but ingenious design allows to set up and fold down both tiers and legs in a snap, 
so that the stand folds flat to a very compact size for easy transport and storage.
Exclusive rotating levelling feet compensate for uneven stage floors, avoiding any sort 
of inconvenient wobble.
Easily expandable to fit musicians’ needs, by adding any of the available QUIK LOK accessories, 
including second tier add-ons, a mic boom arm and a sheet music holder, 
a laptop and a tablet holder.

Height positions (10): 70 to 97 cm, in increments of 3 cm
Frame width: 108 cm
Frame depth: 66 cm
Tiers width positions (7): 28 to 88 cm, in increments of 10 cm
Tiers depth: 43 cm
Folded dimensions: 108 x 19.5 x 69 cm
Frame tubing size: 35 x 35 mm
Weight Capacity: 90 Kg
Weight:  9.5 Kg
Color: Black
Options: QLX/1, QLX/3, QLX/4, QLX/5, IPS/11, IPS/13, LPH/X

SHUBB C1 CAPO Stålstrengs Nikkel

Steel String Guitar
fits most acoustics and electrics

Our standard C-series capos now have the design features 
formerly available only on our deluxe models!

Intonation
When we developed our capo, our main job was to minimize or 
eliminate the need for retuning. We accomplished this by designing

1. a unique material that acts just like your fingertip

2. a patented closing action that works exactly like your hand

3. a one-time adjustment that provides the ideal pressure every time.

Dropoff
The technical explanation
Shubb Capos work on an "over-center" locking principle. If you've used one, you know the feeling. 
As you close the capo onto the neck, it passes through a point of greatest resistence (the center),
then relaxes somewhat into its locked position.
We've made up a name for the the difference between the amounts of pressure applied at these two points; 
we call it dropoff.
More dropoff means a greater difference between pressure encountered as it passes through center, 
and the pressure applied in the locked position. Less dropoff means a lesser difference between 
pressure encountered as it passes through center, and the pressure applied in the locked position.
Offhand you might imagine that the least amount of dropoff would be best, but that's not exactly the case. 
If you have too little dropoff, the lock is less secure and there is a risk of the capo opening accidentally. 
But if you have too much dropoff, too great a force is applied to the guitar neck while closing, and there 
could be too little pressure applied in the closed position for the truest tone.
So you see, there is a JUST RIGHT amount of dropoff that makes for perfect capoing.

Another benefit of dropoff.
It is a well known fact that if a capo is too tight, it can stretch the strings out of tune. 
Most players understand that there is a "just right" amount of pressure for best capoing, too. 
The dropoff in the closing action of the Shubb capo serves as a built-in safeguard for those players 
who are not clear on this concept, and who might have a tendency to over-tighten a capo. In other words, 
it prevents the unwise user from putting his guitar out of tune by not allowing him to bring the capo to 
rest in its tightest possible position.
While this feature of the Shubb capo is not especially obvious to most users, it does in fact contribute 
to the Shubb's excellent reputation for not causing tuning problems
---
On the original Shubb capo, the dropoff increases at the smallest end of the capo's range, and decreases 
at its widest end. In other words, when used on an very thin guitar neck, the dropoff effect is exaggerated.
In the extreme, it could result in insufficient pressure on the strings when engaged. 
On an unusually thick neck, the dropoff is minimal. In the extreme, it could result in an insecure lock, 
or too much pressure on the strings when engaged.

Roller mechanism
The roller mechanism equalizes the dropoff across the full range of the capo.
Because the roller head adjusts upward on an arc (as opposed to a straight line) it moves inward toward 
the center curve of the middle piece of the capo as it is tightened - so it does not move further past 
center when it is set tighter. This maintains a relationship between the moving parts that results in the same, 
ideal amount of dropoff at any point within the capo's working range.
So you get the ideal amount of dropoff on a thin neck, on a thick neck, and all those in between... 
and on different parts of the same neck.