With an 80/20 ratio of copper and zinc within the wrap wire, the BRIGHT series is designed 
to subtly enhance bright and detailed tones with a scooped mid, adding projection and punch 
to your acoustic guitar

MINIMARK 802 N 300
Product code: MBC105073
The Minimark 802 N300 Combo features the new NANO MARK II head, which offers a myriad of tone shaping 
options on the go with its complete and effective 4 band EQ controls. Plus, thanks to the included input 
jack insert (or an optional single footswitch) connected to the dedicated FSW input you can easily have 
fast access to a scooped-mid EQ setting to get a tight tone for slap or pick bass. And as highly requested, 
the head is REMOVABLE!
Not only can you use the head separately, you can use the combo's 2x8" cabinet standalone matched with a 
different head, or as an extension of another combo, or even together with another 8 ohm cabinet. The two 8" 
custom woofers and an onboard piezo tweeter give an incredible warm and focused sound - making this combo a 
brilliant choice for electric bass and also ideal for double bass as well as acoustic bass through its 
faithful reproduction of acoustic instruments!

- Removable head amp
The practical design of the Minimark 802 N300 allows musicians to easily remove the ultracompact NANO MARK
II amp head and use it separately. This is one of the most requested features from combo users. Of course it 
is also possible to use also the 2x8" cabinet standalone, matched with another amp, as extension of a combo, 
or with another 8 ohm cabinet.

- Complete and effective controls
The separate Gain and Master controls allow you to optimize the input level setting and the master volume 
as needed, and thanks to the simple and effective 4-band EQ controls you can get a clear, loud, defined EQ 
resulting in an authentic reproduction of your bass guitar's sound. Scooped-mid EQ ideal for slap and pick 
bass tones are available using the included input jack insert or an optional single footswitch connected to 
the dedicated FSW input, to have access to the two EQ tones while playing.

- Power-to-weight ratio / ultra-portable amp
The Minimark 802 N300 weighing only 12.7 kg and has an unbelievable power-to-weight ratio and the 
rich and warm tones unique to Markbass. It cranks out 150W of power on its own (300W when used with an 
extension cab) and its full range - with plenty of bottom end - is unrivalled.

- Wide frequency response
Despite its small size, the two 8" speakers efficiently reproduces a wide range of frequencies, even with 
five and six strings basses.

- Also ideal for double bass and acoustic bass
The sound of acoustic instruments like double bass and acoustic bass is faithfully reproduced by the 2x8” 
woofers.

- Bi-band limiter
Our new bi-band limiter responds faster and more dynamically to your playing than traditional limiters do 
and lets your high end "breathe" for a more natural sound. It makes our amp heads the best choice for 
anyone who enjoys a quick, punchy attack at high volumes.

- MPT - MARK PROPRIETARY TECHNOLOGY
Many other bass amps on the market use power amps that are not specifically designed for bass. At Markbass, 
Marco De Virgiliis invested heavily in R&D to develop a proprietary power amp technology in house. When 
compared against the competition, all Markbass amps feel unique, with a more defined sound and more power. 
Our MPTpower amp was built from the ground up to respect and elevate the inherent tone of your instrument.



SPEAKER
2 x 8"

TWEETER
Piezo

SPEAKER POWER HANDLING /IMPEDANCE
250W RMS (AES Standard) / 8ohm

BASS PORT
Bass Port

CONTROLS/EQ
Gain / Master
LOW, MID/LOW, MID/HIGH, HIGH

AMP OUTPUT POWER
300W @ 4 ohm / 150W @ 8 ohm

PREAMP
Solid State

CROSSOVER FREQUENCY
3.5 kHz

FREQUENCY RESPONCE
53Hz to 18KHz

SENSITIVITY DB SPL
96

OTHERS
XLR Line Out with Pre/Post EQ and GND Lift switches
BI-BAND LIMITER
FX Send/Return
OPTIONAL FOOTSWITCH: flat/scooped MID/FSW EQ

DIMENSIONS
28.3 cm (w); 51cm (h); 36.7 cm(d)

WEIGHT
 12.7 kg

Stagg UPC-535 Pedalbrett i ABS plast

 
 ABS kasse for 4 effektpedaler (pedalene på bildet er ikke inkludert)   
 
 ABS kasse i hard plast med aliminiumforsterkelse  
 
 Krom hardware   
 
 Godt polstret innvendig for ekstra beskyttelse   
 
 Gummifester        
 
 Godt håndtak  
 
 Effektpedalene kan kobles igjennom kassen via en borrelås (inkluderer i varen)  
 
 Dim. (HxWxD): 320 x 535 x 83 mm
 

The Future of Harmonicas
A hundred years down the road, the blues is still one of the most influential musical genres around. 
Its impact can be heard in the pop hymns, rock songs, and even hip hop tracks from all over the world. 
So we decided to design a new high-end harmonica for the blues and all the styles which grew out of it,
using sustainable raw materials, with a powerful original sound that would meet the needs of this new 
generation of professional musicians. The result: The Crossover. The patented laminated bamboo comb is 
completely water resistant and extremely airtight, the tone is bright and crisp and the modern compromise 
tuning is ideal for single note playing, whether acoustic or amplified, while still retaining a full chord 
sound. Whether you’re into blues, rock, jazz, or soul, the Crossover provides you with the power, sound,
and feel you need to bring your dreams to life. Cross over into a new world of harmonica!

Patented comb
made from sustainable laminated bamboo, for a bright, powerful tone, and a fast response
eliminates swelling

Modern compromise tuning
forsingle note playing as well as full chord sound in al l contemporar y st yles

Technical details
Reed plates (material, thickness): 	brass, 0.9 mm
Reed plates (surface): 			brass
Reeds (number, material): 		20, brass
Comb (material, color): 		bamboo, blonde
Comb (finish): 				triple lacquered
Mouthpiece (surface): 			bamboo
Cover plates: 				stainless steel
Keys: 					HG, F#,F, E, Eb, D , Db, C, B(H), Bb, A, Ab, G
Type: 					diatonic
Tuning: 				Richter
Number of holes: 			10
Tonal range *: 				3 octaves
Length: 				10 cm / 3.9”

Hohner Chromonica 64C

The Big Chromatic
When it came on the market in 1938, the 64 Chromonica was the first 
chromatic to boast a range of over four octaves. Thanks to the 
additional bottom octave, it took the tonal range of the harmonica 
into registers where it had never before been heard, as well as 
brought many pieces from the classical repertoire within the reach of 
the instrument. It also enabled the eerie, deep-toned growl and full 
chords of amplified chromatic harp which swiftly became an integral 
part of the blues tradition,a sound which lives on to this day. 
It defined the industry standard for professional quality 4 octave 
chromatics and has gone on to inspire generations of players in blues, 
soul, jazz and classical music. Whether you play alone or in a band, 
if you’re looking for a real workhorse 64 chromatic it’s still 
your best bet.

Traditional cover plates
Tradition cover design and embossing

Plastic comb
Resilient plastic comb ensures reliable performance under all climate conditions 

TECHNICAL DETAILS
Reed plates (material, thickness): 	brass, 1.05 mm
Reed plates (surface): 			brass
Reeds (number, material): 		64, brass
Comb (material, color): 		ABS, black
Comb (finish): 				ABS
Mouthpiece (surface): 			brass, nickel-plated
Cover plates: 				stainless steel
Slide construction: 			zigzag
Keys: 					C
Type: 					chromatic
Tuning: 				solo tuning
Number of holes: 			16
Tonal range *: 				4 octaves, C3 – D7
Length: 				19.3 cm / 7.6"